
Jim Hodges, If there had been a pool it would have reflected us, 1998. Image courtesy of the artist.
by Jim Hodges
Accepting an invitation to interact with a space, any space, engages me at the core. Each invitation and opportunity raises questions: “What’s here? Where am I in relationship to this space? How do I honestly articulate a response to the specific needs, audience, and context of the space?” Each brings its limitations and edges, and invites me to reach deep inside myself to respond with an articulate sculpted form infused with the essence of what’s driving me in that particular moment. Each opportunity also comes with the potential for realizing, at best, something new, or, at worst, re-engaging with longstanding commitments of ideas and practices. The invitation to fill a space is an exciting privilege and one I never take for granted.
The lift ticket opportunity challenged me to rise
to a very unique occasion, one that extended the
terrain of my practice into the wild blue, and one
where the work would be experienced in the most
casual way—almost invisible as a background for
the lift ticket text. Also, where the “viewer” could
be anyone from a full spectrum of people of all
ages and backgrounds out to enjoy the beauty and
excitement of skiing through some of the most
breathtaking terrain on the planet... Not a bad
context for sure!
For me, the problem is/was: What do I bring to this
experience through my work that can touch each of
these viewers? How deep can I go? I’ve skied those
slopes, and I’ve contemplated the vastness of it all,
the smallness of me, and the incredible privilege
and luxury I live in! A great sense of gratitude always
framed these reflective moments while riding up the
chair to the next exhilarating run! These reflections
gave me pause and it is in that “space” created in
such moments that I wanted to “install” my work.
Having spent the summer researching sustainable
energies and lifestyles and reading many books
on related subjects—from works by radical
environmentalists to Bury My Heart at Wounded
Knee—I was primed to ask a question in the form
of a statement:
“give more than you take”
The simplicity of that phrase, multi-faceted like
a crystal, can be applied to many of life’s issues,
ranging in subject from economic principles to
simple manners of behavior. That range is as rich
and varied as the people who enjoy the sublime
context of the mountains. In relationship to the
mountain and the context of skiing, I think the
words have the potential to elicit a variety of
responses. A spectrum of responses is a beautiful
thing. Not everyone will read it, and many who do
won’t give it a thought.
Art is life. It isn’t a single thing. There are no
guarantees. It challenges and rewards. We
get what we choose from it. It is an invitation
to experience. I wanted to give the lift ticket
something powerful and something beautiful.
Beauty is the motivating energy that powers my
life and the work I make. Beauty is ultimately what
I wish my work to give—beauty of experience.